




The last few weeks I've been hiding in my studio avoiding January. Oh January, you are the Monday of the year. It's also a good time for fresh starts, and for me that means reviewing my client list, focusing my portfolio towards my most successful markets, and preparing a new mailer. (I finally got Taurus Girl scanned. Behold!)
I find I've been restless this past week. Lately I've been researching companies, new clients, and galleries. I've sent out a few emails to places hoping for new shows and with some luck a couple will respond positively.
On anther note, I made a sandwich for my boyfriend earlier and now my fingers smell like onions. Hmph. Onion fingers.
Yes, I'm a little early with the Halloween business, but everyone can enjoy my spunky witch until the 31st!
On another note, when did postage go up again? Not only do I have to get more postcard stamps because I didn't exactly REALIZE how many clients I have (I just sent out a stack that's seriously at least 5 inches thick. REALLY), but now I have to get those one cent stamps, too. Soon I will send out the second half- magazine clients have been mailed, now I'm working on publishers, licensing, ad firms, etc. My neck is killing me typing all those addresses into label sheets. Ugh!
Enjoy "Beep Beep!", which once was a print on Etsy as well as the opening image for my website. Thank you for all your help, old friend.
It's Saturday, my last Saturday before I begin teaching on the weekend. Thank goodness it's not the morning session because I would be exhausted after teaching at Montserrat on Fridays. Today (drum roll please), I will send the mailers out to get printed! No excuses. There will be 3 different cards, some going to more teen/tween market clients and others to more general clients. In the end I'll have 500 of each! Now I just have to update the client list...
The above piece was inspired by a Coconut Records song, one line saying "I wish you could put yourself in my suitcase", and it put some fun imagery in my head. The actual painting is done on a cardboard backing from a used up wax paper palette. Since I was invited to a group show where the theme is "recycle and reuse", I thought I should just make the piece work for the theme.
Well, I'm sad to say that I did not win anything in the Etsy Kid Contest. Thanks to all who supported me! As they say in the film industry, "it's an honor just to be nominated"...
I scanned some more work today and am hoping to have the ole website updated by this weekend. The MAILERS, which have been the bane of my existence lately, should be done by Saturday (or heads will roll). Then I will begin the process of updating contacts at the local Borders, with me on the ground hoping no one sees a woman in her mid 20's peeking inside Teen and Seventeen Magazine for art directors' names , let alone Cat Fancy (seriously, I want to have that magazine on my client list. I mean, Cat Fancy just sounds ridiculous. Ridiculously awesome).
Hey troops,
I thought I'd honor my Editorial Class that I teach by blogging about some pros/cons about the market. This was stuff my students and I discussed in class, and for some of you it might be helpful, for others just interesting.
First of all, editorial illustration can be described as any artwork made to be printed in magazines and/or newspapers. It usually accompanies text with the goal of complimenting or enhancing the topic, whether it's a social commentary or a review of the current Harry Potter Movie.
YOU MAY LIKE EDITORIAL ILLUSTRATION IF....
*You are a fast worker.
Deadlines are quick, usually around 2 weeks.
* You like working on several small projects instead of one big project.
Some of us are the multi-tasking queens and kings. If you get bored easily, sometimes longer projects (like a children's book that takes a year) will loose your attention and patience. With editorial assignments you can work on several different pieces all at once.
* You want flexible work
I take the summer off from editorial work simply because I have a very big teaching schedule at that time. If you decided that you need a break or have other obligations coming up in your schedule, you can turn off the editorial faucet and turn it back on when you're ready. Likewise, if it's a slow month you can take on another job or two without making any serious commitment.
YOU MAY NOT LIKE EDITORIAL ILLUSTRATION IF....
*You don't play well with others
If you can't handle an Art Director giving you advice or requesting changes, than don't even try. Team players will do well, but artists that are protective of their work will make the process a living hell.
*You prefer one long project to work on.
Pretty much the opposite of what was stated above. You won't find 6 month long projects in this field of work, nor can you make a reasonable living just doing one at a time. Successful editorial illsutrators can handle 3 or 4 different projects at once.
* You don't want to actively promote yourself
Many artists and illustrators fall short of their potential because they simply do not advertise their services! Creating a website or making a portfolio on sites like Altpick.com is a good start, but if you sit back and expect people to just find you...well, don't hold your breath! Meetings, mailers, and other forms of advertisement are also needed and deserve your time and attention. Furthermore, once you get hired by an Art Director, don't expect them to hire you constantly. You have to remind them that you exist!
So that's it folks! Soon I'll be discussing basic skills on promotional mailers for all you artists and illsutrators out there. Same bat time, same bat channel.